Standard Focal Length Lenses: 40mm and 50mm
On a traditional Super 35 cinema camera, a 40mm is probably closer to our natural field of view – and while some even say it’s the 35mm. Both the 40mm and the 50mm lenses have been widely used on Super 35 throughout cinema.
Hereof, What lens do directors use? Focal lengths and lenses used by great directors
| S. No. | Director | Focal length, Lens |
|---|---|---|
| 3 | Roman Polanski | 18mm, 40mm anamorphic (Chinatown) |
| 4 | Wes Anderson | 40mm anamorphic, 27mm (The Royal Tenebaums, The Grand Budapest Hotel) |
| 5 | Quentin Tarantino | 40mm or 50mm anamorphic |
| 6 | Steven Spielberg | 21mm |
• Feb 13, 2019
What lens does Joker use? Joker – Camera and Lenses
They used three different cameras (ALEXA 65, ALEXA LF, ALEXA Mini LF) and rehoused vintage optics to stay close to an analog look. They wanted to use lenses that felt like 70-80’s NYC with vignetting and anamorphic style lens flare.
Accordingly, Which ARRI camera is best? Best Overall: ARRI Alexa Mini LF
Initially, they launched the Alexa 65, with three sensors stacked together, then finally settled on the current A2X configuration in 2018 with two sensors, turned vertically and placed together.
What lens did Bresson use?
Alfred Hitchcock: 50mm
Famous international filmmakers like Robert Bresson and Yasujiro Ozu also preferred the 50mm and would make adjustments to their sets to accommodate the lens.
What lenses does Ridley Scott use? Ridley Scott: 75mm+
Ridley Scott is one of the rare directors who prefers to use long lenses. For 1979’s Alien, he used anamorphic 75mm and above. Sudhakaran also notes Scott’s affection for using zoom lenses and shooting spherical and cropped for widescreen.
What lens do Coen brothers use? They typically shoot on a 27mm or 32mm lens for closeups and singles. This shows more of the character’s environment and adds a slight comical distortion to the face.
What lens is used in Birdman? They also won the cinematography Academy Award the year before for Birdman, an entire film made to look like a single take, shot on a S35mm sensor and 18mm lens.
What camera does Martin Scorsese use?
The ARRIFLEX 35 BL was used by Martin Scorsese on Taxi Driver and Raging Bull. In the ’90s, the ARRIFLEX 435 and 535 models were the next massive camera hits. These two cameras went on to capture films like Star Wars: Episode I, Lord of the Rings: The Two Towers, The Fifth Element, Hot Fuzz, and The Avengers.
Is Cameron Monaghan Joker? We won’t give away too many surprises but Cameron’s character gets into a Fatal-Attraction-type-situation… and then things go downhill – quickly! Maybe this love *is* too good to be true! Let’s shift to one of Cameron’s preview roles — Jerome Valeska on Gotham (The Joker without being named in the show).
Is Panavision still used?
Panavision’s commitment to film continues today as we continue to service and support industry demand for 35 and 65mm. With its deep roots in film, some wondered whether the digital age would leave Panavision behind.
What camera does Christopher Nolan use? Nolan is known for shooting on 70 mm film, and is credited for popularising the use of IMAX 70mm cameras in contemporary cinema.
What camera does Wes Anderson use?
Yeoman, who always operates the camera on Anderson’s movies, shot The French Dispatch on 35mm celluloid, utilizing KODAK VISION3 200T Color Negative Film 5213 for the movie’s color sequences and EASTMAN DOUBLE-X Negative Film 5222 for the B&W sequences.
What lens does Terry Gilliam use?
Of course, not every director has a lens nicknamed for them because of their signature usage like Gilliam and the 14mm lens, known by many filmmakers as “The Gilliam” lens. His use of expanded wide-angle lenses and surreal, disorienting environments have put him into a class all his own.
What lenses did Stanley Kubrick use? Kubrick used Nikon stills lenses—purchasing every lens available on the market. Image via Warner Bros. Kubrick originally wanted to only use Nikon stills camera lenses due to how fast they are—1.4, 0.95, etc. So, he did what any filmmaker would do.
What lens did Ozu use? The brilliant Japanese director Yasujiro Ozu is known for shooting his entire filmography on a single 50mm lens. Pretty incredible to conceive of, considering the massive effect he had on cinema. It’s interesting to note how often the 40mm focal length comes into play.
What makes cine lenses different?
Cinema lenses tend to be more expensive, larger, and more delicate but also have to accommodate more features. Cinema lenses need to be parfocal, with a smooth zoom, large focus throw, hard stops, and minimal breathing. All of these factors add up to a larger, more complicated (and more expensive) lens.
What lenses does Steven Spielberg use? Steven Spielberg is a known fan of the 27/28mm lens; Wes Anderson shot almost the entirety of Bottle Rocket on a 27mm Panavision Primo, before turning to the 40mm anamorphic as his staple. Some directors, such as Alejandro González Iñárritu, have shown a tendency to go even wider.
What focal length does Christopher Nolan use?
Christopher Nolan and Wally Pfister, ASC expand their use of 15-perf 65mm cinematography for The Dark Knight Rises.
What lenses does Roger Deakins use? Focal lengths
The preferred focal length on Deakins is around 40mm, which mimics the human eye. As explained, 1917 was shot within this focal length. For portrait, he likes using 60mm-70mm but not more than that. Deakins is not a fan of very long lenses, nor ultra-wide ones.
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